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Greg wilmot ontour
Greg wilmot ontour











greg wilmot ontour
  1. Greg wilmot ontour movie#
  2. Greg wilmot ontour windows#

August 24, Los Angelesĭay off included a charity garden party hosted by Capitol Records boss Alan Livingston.

Greg wilmot ontour movie#

Odd fact: The Ambassador Hotel rejected the Beatles as unruly, so the band rented a house in Bel-Air and watched a movie at Burt Lancaster’s house. Odd Fact: Rowdy crowds outside Hotel Georgia forced them to skip their planned overnight stay-but they still got stuck with a $350 hotel bill.

Greg wilmot ontour windows#

Odd fact: The Beatles went fishing through the windows of their waterside hotel. Odd fact: Liberace insisted on meeting the boys because he loved the way they played piano. Odd fact: A nervous Brian Epstein rejected a ticker-tape parade before their first concert. Odd fact: To prep for the invasion, hotel staffers were ordered to see the Beatles’ just-released film, A Hard Day’s Night. The jet-lagged Beatles arrive after brief stops in Winnipeg and Los Angeles. DIARY OF A 1964 TOUR August 18, San Francisco But, to borrow the late anchorman Walter Cronkite’s nightly network sign off, That’s the way it is. And there will be those today whose memories differ from my own. Although my personal time capsule swept me back fifty years and my reminiscences got considerable help from folks who were there, some people might not have seen things quite the same way I did at the time. Rock ’n’ roll laid the anthemic soundtrack to the dreams and fears and changes that were afoot in the crucible of that pivotal period, and the Beatles were, no doubt, its explosive epicenter.Īs everyone knows, the memory plays strange tricks as time goes by. I thank them all for taking this magical ride with me, back half a century, to a time when the world felt like it was splitting open. David Suskind, Rebecca Davis Suskind (for early editing), Daily Express Syndication, Edward Scully (for front cover design), Rob Teifeld, Victoria Torf, and Terry Wieser. This project would, unquestionably, still be a scatter of napkins and notes, tear sheets and treasured recollections, if not for immeasurable help and steadfast guidance from my family and friends: Gigi Benson, Harry Benson, Keri Botello, Joshua Burt, Vivienne Collier, Susan Cook, Bernard Davis, Gideon Oscar Ogle Davis (for tech support), Tricia Eatherly Davis, Anthony Delano, Bob Eubanks, Jerry Feingold, Carolyn Fox, Steven Gunther, Krissy Harris, Paul Harris, Jann Haworth, Chris Hillman, Connie Hillman, Karen Hoffberg, Clark Hubbard, Dave Hull, Chris Jones, Kathleen Sexton Kaiser, Robert Lands, Martina Lauchengco, Nancy Lueck, Cyril Maitland, Lucie Scheuer Maitland, Peter Noone, Michael O’Kelly, Jose Ramirez (for back cover design), Gino Robair, Scott Rosenberg, Mike Safier (for his enlightened exegesis of Greenwich Mean Time), Arthur Schreiber, Belle Schwartz, Mark Sennet, Mel Sheeler and the guys at Sheeler Moving and Storage (for looking after my Beatles collection), Anthony Strauss, Dr. Maurina Sherman for correcting the errors of my phrase.ĭiana Wilmot for gently pushing me to finish this book.

greg wilmot ontour

Jose Ramirez and Barbara Rainess, at Pedernales Publishing, for tolerating my whims and rolling with the punches. My editor Lew Harris who, after knocking me into shape for years at Los Angeles Magazine, returned for an encore performance.













Greg wilmot ontour